Stop-Motion Filming and Performance: A Guide to Cameras, Lighting and Dramati…

Stop-motion animation has long been perceived as a technical practice rather than a creative, demanding art. Though stop-motion requires considerable technical knowledge, it also involves aesthetics and artistry that go beyond the technician's realm. Just as important as puppet mechanics are lighting, filters, lenses, camera angle and placement, and dramatic pose and movement. This manual is a …

Stuart Little (Widescreen)

This live-action version of E.B. White's novel doesn't have quite the magic of, say, Toy Story. Instead of entertainment the whole family can be enthralled with, Stuart Little is squarely aimed, and successfully so, at the 4- to 10-year-old watcher. Does this make it a bad family film? Not in the slightest. The gee-whiz visual effects (created by original Star Wars wizard John Dykstra) and the …

Student Filmmaker's Handbook

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ISBN/ISSN

879858001

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Tex Avery, King of Cartoons

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ISBN/ISSN

306802481

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237 pages

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Tezuka School of Animation Vol. 2 Animals in Motion

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ISBN/ISSN

1569709947

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118 pages

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That's Not All Folks

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ISBN/ISSN

446512443

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275 pages

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Timing for Animation

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ISBN/ISSN

024051310X

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148 pages

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Too Funny for Words: Disney's Greatest Sight Gags

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ISBN/ISSN

896597474

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223 pages

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Tunes for 'Toons: Music and the Hollywood Cartoon

In the first in-depth examination of music written for Hollywood animated cartoons of the 1930s through the 1950s, Daniel Goldmark provides a brilliant account of the enormous creative effort that went into setting cartoons to music and shows how this effort shaped the characters and stories that have become embedded in American culture. Focusing on classical music, opera, and jazz, Goldmark co…

Understanding Comics

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