UCLA Animation Workshop Library |

To make great animation, you need to know how to control a whole world: how to make a character, how to make that character live and be happy or sad. You need to create four walls around them, a landscape, the sun and moon - a whole life for them. You have to get inside that puppet and first make it live, then make it perform.Susannah Shaw provides the first truly practical introduction to the …

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ISBN/ISSN: 240516591
Collation: 224 pages
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Stop Motion: Passion, Process and Performance

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Barry J C Purves

Be inspired by award-winning animator Barry Purves' honest insight into the creative process of making stop motion animations, using his own classic films to illustrate every step along the way. With Barry's enthusiasm for puppets in all their many guises and in-depth interviews from some of the world's other leading practitioners, there is advice, inspiration and entertainment galore in Stop M…

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Collation: 369 pages
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Stop-Motion Filming and Performance: A Guide to Cameras, Lighting and Dramati…

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Tom Brierton

Stop-motion animation has long been perceived as a technical practice rather than a creative, demanding art. Though stop-motion requires considerable technical knowledge, it also involves aesthetics and artistry that go beyond the technician's realm. Just as important as puppet mechanics are lighting, filters, lenses, camera angle and placement, and dramatic pose and movement. This manual is a …

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Collation: 112 pages
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