To make great animation, you need to know how to control a whole world: how to make a character, how to make that character live and be happy or sad. You need to create four walls around them, a landscape, the sun and moon - a whole life for them. You have to get inside that puppet and first make it live, then make it perform.Susannah Shaw provides the first truly practical introduction to the …
Be inspired by award-winning animator Barry Purves' honest insight into the creative process of making stop motion animations, using his own classic films to illustrate every step along the way. With Barry's enthusiasm for puppets in all their many guises and in-depth interviews from some of the world's other leading practitioners, there is advice, inspiration and entertainment galore in Stop M…
Stop-motion animation has long been perceived as a technical practice rather than a creative, demanding art. Though stop-motion requires considerable technical knowledge, it also involves aesthetics and artistry that go beyond the technician's realm. Just as important as puppet mechanics are lighting, filters, lenses, camera angle and placement, and dramatic pose and movement. This manual is a …
In the first in-depth examination of music written for Hollywood animated cartoons of the 1930s through the 1950s, Daniel Goldmark provides a brilliant account of the enormous creative effort that went into setting cartoons to music and shows how this effort shaped the characters and stories that have become embedded in American culture. Focusing on classical music, opera, and jazz, Goldmark co…
The Wind In the Willows
Even Santa can suffer a case of the holiday blues. In this 1974 stop-motion holiday family favorite, a sparkly eyed Mrs. Claus (voiced by Shirley Booth) sings and tells about the year her hubby felt too weary and too unappreciated to prepare for his annual Christmas rounds. Mickey Rooney stars as the voice of Santa, a rosy-nosed puppet who travels incognito to Southtown in search of his tinies…