Aaahh Real Monsters - Season 1

Scary Doesn'T Get Any Sillier Than Season 1 Of The Hit Nickelodeon Show Aaahh!!! Real Monsters! These Monsters-In-Training Make Fright A Hoot As They Try To Learn The Tricks Of The Scary Monster Trade. Check Out Ickis, Oblina, And Krumm And Their Herculean Efforts To Master The Gromble'S Class On Proper Scare Techniques. So Pull Up A Seat In The Monster Academy, The Scariest (Not!) Place Under …

Cartoons That Time Forgot Coll

Ub Iwerks was one of the greatest animators of the silent and early sound eras: he animated "Steamboat Willie" and other early Disney shorts virtually by himself. But the films he produced at his own studio after breaking with Walt Disney in 1930 lack the vitality of his earlier work. During the '30s, the animators with Disney, the Fleischers, Warner Bros., and MGM developed a new style of …

Courage the Cowardly Dog: Season 1

Courage the Cowardly Dog: Season 1 (Cartoon Network Hall of Fame)

Evil Toons

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Frankenweenie [Blu-ray + DVD] (Sous-titres français)

Frankenweenie (Two-Disc Blu-ray/DVD Combo)

Georges Melies: First Wizard of Cinema (1896-1913) [Import]

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Looney Tunes Golden Collection, Vol. 4

Like previous installments, the Looney Tunes Golden Collection, Volume 4 mixes favorites from the Warner Bros. archives with relatively obscure older works. Chuck Jones' "Mississippi Hare" and Friz Freleng's "Sahara Hare" and "Knighty-Knight Bugs" (which won an Oscar) offer hilarious performances by Bugs. Two of Jones' earliest films, "The Night Watchman" and "Conrad the Sailor" prefigure his u…

Looney Tunes: Golden Collection, Volume Three

Like the previous entries in the Looney Tunes Golden Collection series, volume 3 confirms how brilliant the Warner Bros. artists were and how durable their creations have proven. The set includes classics that every cartoon buff will recognize: "Duck! Rabbit! Duck!," "Robin Hood Daffy," "Birds Anonymous." Other selections are less familiar but significant in the development of the studio: "Sink…

Unseen Cinema Box Set

Avant-garde cinema remains unseen for all sorts of reasons. Because it's rare. Because it's elusive. Because the mainstream distribution and exhibition apparatus is not designed to serve it (and, arguably, to a large extent is designed to suppress and deny it). Because people--that vast army of us proud to be unpretentious "regular moviegoers"--basically don't want to see it, fearing that i…